Infliction Review

---

Release Date: Oct. 18, 2018
Publisher/Developer: Caustic Reality
Platform: PC
Price: $19.99

---

At first glance, Infliction looks like any other game in the stealth/horror-adventure genre. You wander around dark corridors, dodge attacks from a malicious ghost and other monsters, attempt to complete tasks and progress the story all while trying not to get killed, and occasionally solve environmental puzzles with the help of your in-game Polaroid camera. It has all the hallmarks of a good stealth/horror game: It’s tense, the plot is interesting, the story breadcrumbs are easy enough to find but not all laid out in front of the player. It even has an element of exploration, with setting elements changing between areas and levels of the plot and rewarding careful looking through things. It’s all incredibly impressive, especially having been created by a very small team funded through Kickstarter. But at the same time, it marks a possible new route for the spooky corridors genre, one that future game designers would be wise to explore, one where perhaps the main draw is the setting and not the monsters wandering its halls.

Infliction casts you as a man with a loving wife and a dear family, returning back to your house to pick up some plane tickets. Unfortunately, the plane tickets are securely locked in your wife’s office and studio, which means you have to find the code to unlock it. But as you explore the house to find the code, strange things begin to occur, subtly at first (horror titles, odd CD names and track titles that seem to foreshadow things for you) and then with alarming frequency, plunging you directly into a nightmare. As you’re stalked through what used to be your home by a vengeful spirit hellbent on dragging you further into the darkness with her, new dimensions and memories open up, forcing you to uncover what happened to your peaceful family or for your soul to be destroyed forever.

Infliction is a game that gets a lot of things right. The monster designs are suitably grotesque, the house is well-designed and the continual trips through there build a kind of familiarity that makes it all the scarier when things start to break down. The sound design is similarly superb, and the amount of detail put into the house and the further (more spoilery) environs after that, making the player want to explore every surrounding, turn over every rock, and look through every VHS and CD case for clues as to what goes on. Even before things kick off, it’s a suitably eerie place, and that sensation deepens in a really satisfying way, each new location bringing up something even more twisted, from haunted paintings to basements with mysterious passages and holes.

It’s a game that wears its influences very heavily on its sleeve, from references to past environmental narratives like Gone Home, a collection of horror videotapes that contain some interesting references , and a hallway that riffs gently on the infamous Silent Hills trailer P.T. In some ways, it’s almost a love letter to both the stealth-horror/jumpscare games and the more atmospheric environmental horror games, infusing a slow-burning dread and exploration with the nastier surprises of avoiding the vengeful ghost and other, equally upsetting monsters. With the rather simple “hide-a-key” system of exploration (click to pick something up, right-click to zoom in and read, other keys to activate different abilities), it also makes exploration feel really easy and satisfying, allowing you to move through the house and explore what happened, unlocking your memories and new areas as you go.

And here’s where it starts to fall apart a little. Infliction suffers from trying to have its cake and eat it too, to be an exploration game balanced by the urgent threat and tension of being stalked through the house and having to avoid a relentless creature. But that urgency doesn’t allow the setting to seep in as well once the monsters end up on your tail, and the threats kind of get in their own way sometimes. It’s a game with tons of atmosphere and style, and some very tense scripted sequences (the morgue butcher scene and the prison chase stand out), and there are some great mechanics, like keeping the vengeful ghost trapped using the camera, or being able to hide in closets. But having to rush through the various things to read and memories to uncover and phone messages and newspaper articles, as well as not being able to enjoy the scenery as you rush to the next location to stay away from the monsters definitely does not help.

It’s paired with an incredibly annoying checkpointing system, requiring you to sometimes play sequences over and over again if you can’t get them right, something that just grinds down the atmosphere and exploration and fun of the game to a single point as you batter your head against a wall hoping to get through with a combination of luck and skill. While it can be exhilarating to finally get by a rough section, it feels annoying to keep having to replay sections, story and cutscenes intact, so you can make another try at escaping whatever horror’s waiting for you just around the corner. While the horror and possibility of failure helps the tension, the problem is that it wrecks the atmosphere after a while. It’s also a little annoying that some of the scenes rely on trial and error, forcing you to either search everything carefully (time pressure) or watch death after death until you figure out the thing you’re doing wrong. Neither is really all that much fun.

In the end, while Infliction is certainly a well-made game, and one of the better games of its type, the survival/stealth horror genre seems to get in its way more than help. For those who can get through its stickier sections, there’s a lot to enjoy, but it might be worth thinking about how the genre and games of this type could be a little moodier and maybe have a few less checkpoints or more monster attacks or something to kind of take the edge off. But it’s still a fantastic game, and among the better entries of its type, full of great atmosphere and some absolutely nerve-wracking scares.

The Good
- Disturbing visuals and a perfect moody horror atmosphere
- Simple, satisfying control scheme that makes it easy to explore the setting
- Great level design and some tense, genuinely scary sequences
- Large areas to explore and find secrets and memories

The Bad
- Checkpointing means you have some incredibly difficult sequences you will replay over and over again
- Roaming monster attacks sometimes get in the way of exploring the house and wreck the mood

Thanks to Caustic Reality for providing a code for review.

"Perhaps It Is Crueler To Let You Live" - Hands-On With Conan Exiles

The following article may contain mature images inappropriate for those under the age of seventeen

It's been almost a week since FunCom released their fantasy sandbox survival sim, Conan Exiles. And the prognosis is...better than initial launch. The game looks great, and the loop of scavenging and survival is well worth it, sure. It's also the only game with (and this is obligatory since it's been the only news coming out about this game other than the lag info,) an endowment slider so you can choose the size of your character's breasts, or, if you are so inclined, pendulous lower extremities. But while the game has a lot of interesting systems and some absolutely gorgeous graphics, the extreme lack of balance, lag and rubberbanding issues, and just downright uncooperative AI mean that this game will have a lot of polish to deliver before its final release.

Conan Exiles casts you into the ancient and brutal world of Hyborea as an Exile, one who has committed terrible crimes (procedurally generated for each new character) and been thrown out into the forgotten wastelands, fastened to a cross to die. The player is then saved by Conan, who leaves them naked and unarmed on foot in the middle of vast ruins hewn from jet-black stone, to gather sticks, rocks, and plant matter until they have enough resources to get themselves clothing and tools. They then must build and upgrade their equipment, gain experience, and eventually rise to assert their dominance over the savage world, provided a crocodile doesn't bite them in half, forcing them to find their body all over again.

Yes, friends, it turns out that not being Conan or one of his allies in a Conan story isn't all that much fun. A lot of the early game is spent running from literally everything, because everything will kill you. Arguably the least dangerous two enemies are the giant bat you meet in a scripted event, and the "imps," nude guys who look like a hunchbacked Toxic Avenger and can't take you out unless in a pack. Even the under-equipped AI-controlled "exiles" who run around on the PVE and single-player instances of the game can take you out. The game is punishing, make no mistake. 

But this highlights one of the major issues with the game. While brutality is all well and good, and is in fact a major feature of the Conan world, the sheer size of the difficulty cliff makes it annoying to play. Enemies will chase you across the map, and even after breaking line of sight. Also, none of them seem the slightest bit interested in anything but you, which means you can be standing on a rock trying to catch your breath and get around things, and suddenly be surrounded by enemies who are only interested in killing you. Moments after leaving the starting desert in any direction, you are swarmed by some fresh horror, which immediately kills you and drops you in the starting desert again.

This necessitates either finding your dead body to loot it in a very dangerous area, or starting all over again from scratch. It's frustrating, but much appreciated over the system where you would lose all your items, weapons, clothing, and any structures as well as everything else, which has since been patched out. However, with the hyper-aggressive enemy AI, this is still a dangerous proposition, and one difficult to enact. You will end up making a lot of stone pickaxes and stone axes to get through the early part of the game, and sometimes it isn't worth it.

Aiding and abetting the enemy AI is a system that doesn't register hits when you attack and some serious lag and rubberbanding issues, leading to such moments as an ibex who will stand still while you hit it, never once registering that it's hurt, only to teleport a mile away and start running like crazy. Enemies will drop you in four hits, regardless of armor or how much damage you deal to them with the same weapon they're using. Sometimes, I even saw people walk across water or through rivers. The lag gets even worse on the online servers, which, I should caution to remind everyone, are the entire point of the game. That you get your open ended Hyborian adventures in a world with real players and real player-created content. Which is nigh-impossible to play.

And all of this really ticks me off, because the game is great. It feels really satisfying when you win a combat and then butcher your kill for parts. It has bizarre moments, like harvesting human adversaries for food and hides, meaning you can be wearing human-crocodile hybrid pants. It's satisfying to gather and make things. It's even cool figuring out the past of the Wastes from the sinister glowing tablets hidden throughout the world, or trying to go to the distant spires you can see from locations. It's a fun game, cloaked in the worst nightmare of hardcore survival game nonsense. It's an awesome concept hampered by extreme performance issues. 

Wait until this one comes out of early access. FunCom is working tirelessly to fix what's broken, and when it finally comes out of early access, the result should hopefully be an intriguing adventure in the brutal world of ancient Hyboria. Until that time, I suggest watching the patch notes intently until the game it is now becomes the game it could be. 

Conan: Exiles is currently in early access. The reviewer received a complimentary copy for this hands-on look

The Flock Review

The title screen, with the dreaded population counter

I'm playing The Flock to lose.

The Flock is interesting in this regard, as there is a global endgame condition, and that condition is "lose or make others lose enough times." The count starts at something like three hundred and thirteen million "population." When the population counter reaches zero, the game will no longer be on the market. The more people who play or the more players who die, the more the population counter goes down, and the closer the players get to endgame. 

This is actually pretty interesting to me. I'm always interested when something is difficult to find, or permanently out of reach. I kind of find this more interesting than the actual game itself. So I'm playing The Flock to lose.

The Flock is an asymmetrical multiplayer game. Something like abstract surrealist flashlight tag. In one of several crumbling arenas, everybody plays The Flock, monsters that bound through the tunnels and passageways and hallways of the level, all of them hunting for the Artifact. The creature designs of The Flock are amazing, Creatures with hunched, visible spines and creepy skull-like faces. A lot of thought went into the way they act and the way they move, and even from a first-person perspective, you can tell that there's a unique form of movement and a very creepy aesthetic to these guys. 

When a player gets the Artifact, then they immediately transform into the Wielder. The Wielder runs around the level with the Artifact (basically a massive flashlight) trying to capture points with it while avoiding the Flock, all of whom are trying to become the Wielder. The flashlight can also kill the Flock if one of them is unlucky enough to move through its beam, but if a Flock player simply stands still for long enough, they're "petrified" and immune to the Artifact's deadly beam. The object is to stay alive as long as you can with the Artifact (which gives you points) and then have the most points at the end of the round. Objectives also net you a set amount of points. 

The temple ruins

Now, all of this would be slightly more interesting to me if I didn't suck so hard at the game. I can kind of grasp the subtlety and complexities of the game, of course, and how the Wielder has to watch their back at all times, and all of that. But too often, I find myself getting burned up or ambushed by a corner I didn't check or some far part of the maze. But instead I die a lot. Die, respawn, rush around the map, die again, respawn. Not a lot of fun. 

However, death in The Flock carries something of a boon with it. Each death lowers the population counter. Each time someone dies, the experience clicks that much closer towards being unique. When the counter hits zero, as previously said, that's it. The game has sold out. So if I keep dying, I keep upping the scarcity of the game. I can contribute to that. And that's cool for me. The more I lose, the more people wipe me out, the closer we get to zero. The closer I get to a unique thing.

So I'm playing The Flock to lose. 

I will say that while the game requires a controller, the controls are exceptionally smooth. I loved leaping around and jumping from place to place. I also loved trying to plan the perfect spot to leap and scream at the Wielder. It's a lot of fun to play, and I haven't played many games where controls were so satisfying. I love the fluid movement I can use just before the cleansing light blows me away another time. 

In the end, I'd say wait for a sale. If you've already bought it, though, I'd hope you'd play it the same way I do. It's a cool game, and even when you die, you're contributing to something cool in it. 

3/5

Full Disclosure: The reviewer received a press copy of this game